They’re slinking around to a sluggish but ultimately enrapturing electric groove in “Red Crimes.” Bashing us in the face with eruptive riffs in “The Foreigner.” Smothering the air with carnal beats in “Pieces.” The energy is both adrenaline-laced in “5000 Years” and anxiety-inducing in “Uomo Moderno.” The intensity is inescapable …
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