Music Existence Because of Music, We Exist
Formed in 2007, Montreal based original band [EVERTRAPPED] brings Melodic Death Metal to a new level of brutality. All five current members clear a warpath to the stage with killer technical metal riffs and epic breakthrough choruses. Guitarists Frederick Dupuis and Vincent Benoit hammer out raw guitar licks, Bassist John Yates brings in the low end, Drummer Eric Lemire pounds out violent beats, and James Brookes bridges the gap between deep gutturals and sick high screams.
[EVERTRAPPED] has always taken it upon themselves to release self-produced albums in order to ensure their complete satisfaction with the final product. They have always kept a keen ear to the modern sound in a constantly changing world of Metal production, and taken it into strong consideration. However, this process allows them to retain their creative control and develop their unique sound within the world of Metal none the less.
About the album and track by track explained by [EVERTRAPPED].
«Under The Deep» is an exploration of the deepest reaches of human madness. Not clinical madness, but simply the darkest regions of the soul and the blackest part of the human heart from a mind found to be socially functional, but is really way too far gone. And thus it seeks to explore what is underneath the deepest depth, hence no matter how deep you descend there’s always another layer that can be torn away.
1- […] intro
2- «Arise From The Ashes»: A depiction of someone who has actually reached the bottom, so their rise from there so to speak. Like the king of their own universe broken by all clawing it’s back but fueled by an ever consuming hatred.
3- «Underneath The Deep»: A personal look at how a person can only be fucked up by someone else for too long until they break. But this takes you to a point where you now can’t come back.
4- «Palace Of Injustice»: A stab at anyone blinded by the indoctrination of any institution and their ultimate demise that likely follows due to their ignorance towards it. However, it does aim more at the disgust of the institutions themselves and not so much the ignorance of the people.
5- «Hypnotized By Hatred»: Another personal reflection, but in this case more a person who has been made to believe that all they do is wrong. So it brings up the sense where if you tell someone enough times that they are shit, then eventually they will just believe it. And in this case someone who becomes a very dark god loathing individual because it takes them to a point where they think it’s hysterical.
6- «Blood Of The Fallen»: This is set in a horror like context although it not some zombie tribute. It simply laughs at how we place so much importance on the memory of the dead yet never bat an eye at the reality of human suffering which we ourselves cause.
7- «Lethal District»: Somewhat of a post apocalyptic view of the surviving factions of humanity that instill themselves as the powers that be, and thus cast out the unclean, unworthy, and so forth. And therefore it sheds light on the madness and revolt of the unwanted.
8- «Burning Through Vengeance»: This is a straight up rebel song. A certain arrogant fuck you to a society that rejects you, but you still know that you know better than them. So instead you’ll bide your time and watch them hilariously screw themselves over.
9- «Reaper»: As the title suggests, an end of the line type song. In a certain way captures the essence of [EVERTRAPPED] in terms of the inescapable event that is death.
10- «Embrace The End»: This also goes more or less as the title suggests. This is another song for the apocalypse but more at the actual hour of the end itself. A look at almost coming to terms with the fact that it was likely the fault of humanity and embracing the acceptance of such evil.
